Igor Sitnikov: Cubism

Thursday, July 5, 2007

Cubism

10 July, Tuesday Painting Class Agenda

Analytic cubism

Cubism was a short but highly significant art movement between about 1907 and 1914 in France. The most notable of cubism's participants were Pablo Picasso and Georges Braque. In cubist artworks, objects are broken up, analyzed, and re-assembled in an abstracted form — instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. The roots of cubism are to be found in the Paul Cezanne’s later works:
1. The idea to break the painted surface into small multifaceted areas of paint;
2. The simplification of natural forms into cylinders, spheres, pyramids and cubes.
2 Main Types of Cubism
There are two main types of cubism, analytical cubism and synthetic cubism. Analytic cubism was mainly practiced by Braque, and is very simple, with dark, almost monochromatic colours. Synthetic cubism was much more energetic, and often made use of collage including the use of several two-dimensional materials. This type of cubism was developed by Picasso.
Analytic cubism is the first form of cubism. The time period was from about 1907-1912. Color was almost a monochromatic scheme that often included grey, blue and ochre. Instead of an emphasis on colour, Analytic cubists had gotten the idea from Paul Cezanne and focused on forms like the cylinder, sphere and the cone to represent the natural world.
Illustrations
Analytic cubism
http://www.roberto-crosio.net/1_citta/BRAQUE_PICASSO.htm

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Igor Sitnikov and Miklukho-Maklai

I was born in Ryazan city (Russia, 3 hours from Moscow) in 1961. 30 years I lived in the Soviet Union on the bank of Oka-river, which is a border between a huge forest and a wide steppe. Then 12 years I spend in the Russia on the same bank, under the same sky. I like Oka, and the steppe with multitude of small slow rivers, and the forest, that carries the name of vanished people “Meshchera”. When I was a schoolboy I had read a book about the famous Russian anthropologist Miklukho-Maklai, who studied peoples of Papua New Guinea. His life was amazing for my childish imagination. I dreamed about long voyages in vast waters of the Pacific Ocean. I was envious of Tur Heyerdal, who could travel along the Pacific islands and to Charles Gogin, who could draw beautiful Tahiti women.If I could imagine that I will become an artist and will live in Pacific?

Saisiyat (賽夏)

The Saisiyat believe that a long time ago, a tribe of three-foot tall, dark-skinned dwarfs once taught them to farm, sing, and dance, but also harassed and threatened the women.
Long ago, a tribe of dark-skinned pygmies arrived in the area inhabited by the Saisiyat. They were skilled in the arts of magic. The Taai (known as the Short People) gave the Saisiyat seeds and taught them the knowledge of agriculture, how to hold ceremonies and offer sacrifices to gods or ancestors.
Therefore the Saisiyat regarded the Taai as their benefactors. Whenever rituals and ceremonies were held, the Saisiyat always invited the Taai to be their guests, and they enjoyed drinking and having fun together.
The Taai, however, gradually began to encroach upon the Saisiyat women. To avoid disrupting harmonious relations between the tribes, those women who were violated remained silent. The Saisiyat tribal elders urged patience for the good of the whole tribe. The Taai, however, stepped up their encroachments on the Saisiyat. When the Saisiyat had had enough, they swore to avenge the insult on the Taai.
The Saisiyat knew that the Taai were particularly fond of climbing on a loquat tree that overhung a precipice. Two Saisiyat youths thereupon took it upon themselves to saw the tree halfway through. That evening, the Taai, not suspecting a thing, climbed one-by-one up into the tree. As more and more Taai scaled the tree, it could no longer take the weight and the trunk snapped. All of the Taai who had been sitting in the tree went over the edge. Those that weren't killed in the initial fall were drowned.
However two Taais, who had escaped the ambush, placed a curse on the Saisiyat tribe, leading to a succession of disasters and poor harvests. In an effort to lift the curse, the Saisiyat sang Taai songs and performed Taai dances to plead for forgiveness while also appealing for fair weather and a bountiful harvest. That is the origin of the Saisiyat tribe's pygmy spirit ritual.

The pygmy spirit ritual gives raise a hypothesis by a Japanese archeologist, Kano Tadao, that the prehistoric peoples living in Taiwan included Negritoes.